Compléments de Multitudes 28

=http://eipcp.net/transversal/0507/weizman/es A lire plus tard

=http://eipcp.net/transversal/0507/weizman/de A lire plus tard

=http://eipcp.net/transversal/0507/weizman/en A lire plus tard

=httphttp://eipcp.net/transversal/0507/rolnik/es A lire plus tard

Lygia Clark’s Return to the Museum=http://eipcp.net/transversal/0507/rolnik/en A lire plus tard

=http://eipcp.net/transversal/0507/rolnik/de A lire plus tard

=http://eipcp.net/transversal/0507/rolnik/pt A lire plus tard

Artistas investigadoras y biotecnologías=http://eipcp.net/transversal/0507/pentecost/es A lire plus tard

KünstlerInnen-ForscherInnen und Biotechnologie=http://eipcp.net/transversal/0507/pentecost/de A lire plus tard

Artist-Researchers and Biotechnology=http://eipcp.net/transversal/0507/pentecost/en A lire plus tard

Los futuros financieros del arte=http://eipcp.net/transversal/0507/holmes/es A lire plus tard

Kunst und Finanzökonomie=http://eipcp.net/transversal/0507/holmes/de A lire plus tard

Art’s Financial Futures=http://eipcp.net/transversal/0507/holmes/en A lire plus tard

=http://eipcp.net/transversal/0507/pechriggl/es A lire plus tard

=http://eipcp.net/transversal/0507/pechriggl/en A lire plus tard

=http://eipcp.net/transversal/0507/pechriggl/de A lire plus tard

=http://eipcp.net/transversal/0507/nowotny/en A lire plus tard

=http://eipcp.net/transversal/0507/nowotny/de A lire plus tard

La crítica institucional, el poder constituyente y el largo aliento del proceso instituyente=http://eipcp.net/transversal/0507/raunig/es A lire plus tard

Institutional Critique, Constituent Power, and the Persistence of Instituting=http://eipcp.net/transversal/0507/raunig/en A lire plus tard

Institutionskritik, konstituierende Macht und der lange Atem der Instituierung=http://eipcp.net/transversal/0507/raunig/de A lire plus tard

1. ‘Noise’ has become the expedient moniker for a motley array of sonic practices-academic, artistic, countercultural-with little in common besides their perceived recalcitrance with respect to the conventions governing classical and popular musics. ‘Noise’ not only designates the no-man’s-land between electro-acoustic investigation, free improvisation, avant-garde experiment, and sound-art; more interestingly, it refers to anomalous zones […]